Charles Dickens A Tale of Two Cities www.allthingsd.com |
www.cliffnotes.com |
Claude Monet Impression
Sunrise
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Homework Review –
complete before week 14 class
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Algebra 2
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Lessons 47-50. Also,
bring one math question from your own math book to put on the board.
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Latin
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Lesson 17, ex., Open Grammar Quiz (the translation page is extra
credit only)
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Logic
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Finish Lesson 13 and
answer questions
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History: HSWTL
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HSWTL – chapter 12
to the end and questions in the guide (section X).
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History:
Art
Essay
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Notebook and Timeline
Collection and discussion.
Review and practice for the Art Identification Lecture (Week 15).
Testimony Essay on “Claude Monet’s qualifications to be an Authority on
Impressionism.”
Look at Monet’s painting Impression Sunrise. Annotated Mona Lisa pages 96-97, 102-103 |
Art Presentation:
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Practice for the Art
Critique/Presentation on week 15 (pg. 48).
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British Literature
Essay:
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Finish Tale of Two
Cities. Words Aptly Spoken
questions on pages 75-83.
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Biology:
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Finish Chapter 8 up
to page 242 and read Exp. 8.1. Lab Journal Collection
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Latin – We covered changing Latin adjectives
into adverbs (much like adding –ly to English adjectives). We also discussed
changes as the comparative and superlative forms are added (-er, -est, more,
and most).
Logic – We continued
tackling fallacies in Syllogisms. The students zoomed through 12 exercises in class
to spot the different distribution rules for syllogisms that can be
broken.
History – We discussed our essay topic
regarding the shift from Romanticism to Realism. Since we only have one
painting left, we took a quick pop quiz to see how much we remember about the
paintings we’ve evaluated this year.
This next essay discusses what qualities make
a person an expert (including: knowledge, skill, consistency, peer recognition, & education). The students write about Monet and Impressionism.
Many of the Impressionists
took their painting inspiration from the Realistic painters. Impressionists
took the realistic scenes one unique step further (They realized that the human
eye focuses on one focal point at a time and blurs the rest of the world around
the focal point automatically - like a camera shot. They also enjoyed the effect
of painting quick glimpses that they eyes might glean from unfocused details.).
The reigning art experts were opposed to the new style (most of them had
opinions about the acceptable subject matter - historical, Biblical, or
mythological - and they valued set standards in clean lines, brushwork, and
tones). Once photography emerged in 1839, both Neoclassicism and Romanticism
suddenly seemed dated. Painters started to begin infusing beauty back into
ordinary life scenes, portraits, and landscapes. In France, the Barbizon
painters met to push for realistic outdoor paintings, and in England, the
pre-Raphaelite Brotherhood (painter, poets, and critics) rose up to paint
truthful nature scenes. Both groups reacted against emotionalism of Romantic
painters and against the academic rules governing the painting of artificial
subjects and ideals. Realistic painters like Courbet even refused to paint
angels since he couldn't physically see one to be able to render a likeness.
The Impressionists faced an era of changing politics and technology (cameras
and even paint in portable tubes affected the opportunities for painters to
dabble in new ideas). They stretched the realism to a new level as they played
with light and brush strokes. Monet surrounded himself with like-minded
painters (Pissaro, Renoir, Manet, Sisley, and others) to form the Societé
Anonyme des artistes, peintres, and sculpteurs et graveurs. He painted with an
emphasis on lighting and small brushstrokes with pure colors. He frequently
painted the same subject in different light levels. He consistently stayed with
this style throughout his life. Monet was impressed by Manet's strong break
from the rules in society. Manet inspired others with daring techniques and
controversial subject matter (Manet fought against old styles of painting and
he chose modern settings. He was inspired by the Spanish painters. He liked
bold brush strokes, strong colors, harsh tonal contrasts, and modern subjects
and scenes). Monet's own paintings had fewer tonal contrasts and more
subdued pastels. He poured atmospheric light into his scenes. The earlier
Realistic painters included accurate atmospheric light and serene scenes, but
the Impressionists included all the realism but then dialed back the sharp
hyper focus of details and caused the light to glow. Impressionists truly
rejected many of the styles and subjects that preceded them. As with each era
though, soon the younger painters grew bored and wanted to experiment and
explore new ideas.
Lastly, we read a few
pages from Saving Leonardo (pgs.243-245).This reviewed biblical viewpoints and the arts.
Art Presentation
Project – Prepare for Art Presentation on week 15. Aside from introducing the
art piece, the students also begin to critique the piece for its form and
meaning.
British Literature –
We are saving our full discussion on The Tale of Two Cities until we finish the
book this week.
Biology – Before
starting labs, we discussed parts of cells again...more specifically, the
structure and function of DNA. We covered DNA replication, viruses, and cell reproduction. We also completed
a few fun lab projects.
www.unlockingscience.com for template and instructions for paper origami DNA. |
Microscope Labs: Allium
(Onion) Root tip, Ascaris (Roundworm) mitosis, and Fern life history:
Twizzler DNA strands with Gummy nucleotides:
What do these have to
do with today’s science…not much.
Mr. Carlson’s class
joined us for Shakespeare recitations.
We also took time out
for a special celebration (picture 1 – photo bombed by Mr. Carlson)
www.votemckelvie.ca |